“Yes, but it needn’t be you,” suggested Miss Ensor. “Well, you see, dear,” explained the little old lady, “he gave up things. He could have ridden in his carriage”—she was quoting, it seemed, the words of the Carlyles’ old servant—“if he’d written the sort of lies that people pay for being told, instead of throwing the truth at their head.”!

She had been busy at her machine when Joan had entered; and a pile of delicate white work lay folded on a chair beside her. “No,” answered the girl. “I may have just told her. She isn’t the sort that gives advice.”

An old-looking man spoke. He lay with his arms folded across his breast, addressing apparently the smoky rafters. He was a Russian, a teacher of languages in Paris at the outbreak of the war, and had joined the French Army. Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. She had been fashioned to be his helpmate, as surely as if she had been made of the same bone. Nature was at one with God. Spirit and body both yearned for him. It was not position—power for herself that she craved. The marriage market—if that had been her desire: it had always been open to her. She had the gold that buys these things. Wealth, ambition: they had been offered to her—spread out temptingly before her eyes. They were always within her means, if ever she chose to purchase them. It was this man alone to whom she had ever felt drawn—this man of the people, with that suggestion about him of something primitive, untamed, causing her always in his presence that faint, compelling thrill of fear, who stirred her blood as none of the polished men of her own class had ever done. His kind, strong, ugly face: it moved beside her: its fearless, tender eyes now pleading, now commanding.